Dirt simple 2d6 weather roll

Here's a short entry for this month's Blog Carnival: Terrain, Seasons, Weather!

By now using Reaction rolls to adjudicate, umm, everything and anything, has become an OSR staple, and I'm here for it! I think I first stumbled upon this idea over at Talysman's The Nine and Thirty Kingdoms blog. Since then, this little table has been on my DM screen/binder. 

	Weather
2	Worst possible, anomalous, no travel
3-5	Very bad, travel speed halved
6-8	Normal for season, regular travel
9-11	Advantageous, bonus travel speed
12	The best possible, bonus travel speed and morale

I like it, because it gives me a baseline, from which I can improv the actual conditions. If I'm stuck, I use the old "Dolmenwood Hex Crawl Procedure" document (no longer available on Gavin's blog, but pdf's hosted in other places are still around), which has a very nice 4xd8 table of possible seasonal weather types.

Giorgione, you rock.

[Solo] The Magnificent Adventuring Circus, Session 4: Carnies in the Mist

 Introduction and links to other sessions can be found here.

The cast of characters:

• Julia Maxima, the Bearded Lady (Dwarf Cleric 1). Stern leader and cook of the circus.
• Pointy Kid, the Knife Thrower (Halfling Thief 1). Sly acrobat with a pipeweed addiction.
• Callisto, Master of Illusions (Human Magic-User 1). Archmage of the Highest Order, Keeper of Forbidden Knowledge. Obviously, he has a creepy ventriloquist dummy.
• Sheila, the Odalisque (Elf Fighter/Magic-User 1). Exotic dancer and all-around cool girl. She won’t agree to be sawn into two halves.

Day 4 – continued [camping in 3507 (river flowing from north-east to south-west, swamp on northern half, barren mountain on southern half), weather worsening, random encounter: Lycanthrope: Werewolf, party not surprised, creature not surprised]

Cold Fore-Winter rains make the life of the Circus worse. Pointy Kid is on lookout duty, Callisto cooks, Sheila and Julia Maxima work on the broken wheel. The party has the tools and some spare materials, but lack the expertise. It quickly becomes obvious, that even if they manage to finish the work today, they have to camp here in the wilderness.

Dusk sets in. The wagon is complete, but it’s too late to move. The troupe huddles around the fire.

“Somebody’s coming!” Pointy Kid points towards the rocky slope of the mountain.

“Greetings,” the approaching person waves from a distance. “Can a weary and unfortunate traveler warm himself by your campfire?”

The characters exchange a couple of words, then invite the stranger over, as it has been the way of Circus-folks for centuries. Only Callisto eyes the stranger with some slight suspicion.

He is a middle-aged fellow, with greying unruly hair, torn dirty clothes, a sword on his belt and just a small bundle of stuff. “My name is Abil Griswold,” he introduces himself. “I was traveling with three companions through the mountains, but we were ambushed by monsters – I was the only one to get away.” He speaks in a monotone voice. Grieving his companions, Sheila thinks.

“Where are you headed?”

“To Tabriz first, then Turachow,” Griswold explains.

“Come travel with us, it would be safer. Of course, you’ll be expected to contribute something to the performance or the running of the circus – that’s the Circus custom – do you have any talents?” Julia Maxima asks.

“I might have a couple of tricks up my sleeve,” says Griswold, and for the first time his voice becomes lively. He even smiles a little. “I can imitate the sounds of wild animals. Children love it,” he says, and does a pretty good growling dog impression.

“We could use that as the sound of the troll, too, what do you think, Sheila? Maybe in Tabriz, he can play the monster instead of you,” Julia Maxima offers.

“Yes, I guess I could become a monster,” Griswold nods. “But let us rest now…”

Watches are set – the night passes uneventfully.

Day 5 [travel from 3507 to 3407 (river makes a bend, barren mountain on east bank, lightly forested hills on the west bank), weather neutral, no random encounter]

In the morning, a light mist blankets the area. Callisto is almost sure that he spies a couple of shadowy figures in the mist… But perhaps that’s just his imagination running wild, or a bit of contact high from Pointy Kid’s morning pipeweed.

The Circus (with new temporary member Abil Griswold) continues its journey along the river. The swamp on the other bank ends and the river now runs in a valley between lightly forested hills and mountains.

The wheel holds – although one particular bump gives the whole party a scare – but nothing scary happens. Investigating, they find that they ran over a slab of stone, half-sunk in the ground: an ancient grave marker… Now this sends some chills down their spines, especially that the mist hasn’t lifted yet. The name is unreadable.

But these small things don’t hinder them much.

The river takes a strong bend towards the east, where more lightly forested mountains loom.

+ [travel from 3407 to 3508 (lightly forested mountain), weather worsens, no random encounter]

Further progress is hindered by cold rain. The troupe soldiers on. Just before darkness, they happen upon a cabin – built atop a tall tree! There are no lights in the windows, nor smoke from the chimney. Nobody answers their calls. So Pointy Kid throws up a grappling hook, then climbs up to the little platform at the cabin’s entrance. Knocks – no answer. He opens the door. A small living room: all furniture and implements cozy and halfling-sized, but covered by dust. There are books and scrolls, all of religious and philosophical content. Most of them are signed by a certain Glomol Glomolkan Glomolklari – the owner of the cabin. A little silver sea-shell is displayed in a prominent place: proof that the inhabitant of this cabin made the pilgrimage to the holy site of the Birth of the Goddess, far up to the north-east [5001]. Glomolklari must be a hermit. But where is he?

Pointy Kid doesn’t want to disturb the stuff of a hermit, so instead he just climbs down and reports to the others.

They park the wagon under the tree, and camp. Julia Maxima rations the food pretty strictly tonight: with an extra mouth to feed (Griswold lost his bag), the Circus is running low on supplies…

The night passes uneventfully.

To be continued!

Parallel Dungeons got a review + a cool new series of dungeon deep cuts

Parallel Dungeons, my dimension shifting adventure, got a small write-up by Rowan over at the Dododecahedron blog! He just started up a pretty cool little series called Dungeon Deep Cuts, where he reviews under-the-radar adventures. Sounds like a good way to learn about small, but interesting projects. He is also taking submissions, so, upcoming authors, take note!

[Dungeon] The Bleak Corridors - an OSR adventure

I made a dungeon today, in about 90 minutes. The Bleak Corridors: a 15-room factory complex with a dark Victorian/steampunk vibe.

Download here!

It includes a 2-page PDF with the room descriptions, the DM's map, and a players' map with the secrets and traps hidden for use in VTTs (the grid size is 70 px, the standard for Roll20).

There are stairs leading down to a deeper level - just erase those or use something else... Like the Bloodsoaked Gem Caverns!

Let me know what you think!

[Solo] The Magnificent Adventuring Circus, Session 3: Wheels & Waterfalls

Introduction and links to other sessions can be found here.

The cast of characters:

• Julia Maxima, the Bearded Lady (Dwarf Cleric 1). Stern leader and cook of the circus.
• Pointy Kid, the Knife Thrower (Halfling Thief 1). Sly acrobat with a pipeweed addiction.
• Callisto, Master of Illusions (Human Magic-User 1). Archmage of the Highest Order, Keeper of Forbidden Knowledge. Obviously, he has a creepy ventriloquist dummy.
• Sheila, the Odalisque (Elf Fighter/Magic-User 1). Exotic dancer and all-around cool girl. She won’t agree to be sawn into two halves.

Session 3: Wheels & Waterfalls

Day 4 [travel from 3606 to 3507 (river flowing from north-east to south-west, swamp on northern half, barren mountain on southern half), weather neutral, no random encounter]

The Circus leaves Abazar early in the morning. Nobody begs them to stay for another show… The plan is to follow the course of the river until they reach the town of Tabriz. A sound plan, but who knows what dangers await along the way?

The weather is… fine. A bit cold, but most importantly it’s dry, so the circus wagon rolls at a slow, but steady speed along the river. By midday, the party exits the dense forest, and enters an equally wild, but very different terrain.

Here the river runs in a valley. On its north/north-western bank, the swamp continues. On its south/south-eastern bank, stands a tall, barren mountain peak. Even this late in the year, water flows off the peak. It forms a magnificent waterfall, almost 500’ tall, and connects into the river in the valley. An awe-inspiring view!! But also, a hindrance for travelers: coming down this direction, one must either cross the fast-flowing stream, or circle around, wasting possibly many days among rocky hills.

Julia Maxima, the de-facto leader of the troupe, hands out ropes and commands everybody to prepare for crossing. Julia herself and Pointy Kid remain on the wagon – the stream is definitely too deep for the small folks. Sheila and Callisto begrudgingly tie themselves to the wagon, and take point, leading their horse into the ice-cold water.

They slowly make the crossing. In the middle of the stream the two adventurers are almost up to their chests in the freezing water. Callisto curses, Sheila suffers silently. The worst part is that they cannot see the bottom under the fast flow, and there are rocks everywhere. They pull through, and the wagon’s front wheels are already out of the water, when suddenly…

*CRACK!!*

Treacherous underwater rocks! The vehicle slumps backwards. Pointy Kid and Julia quickly jump down, and everybody starts pulling --- and they manage to pull the wagon out from the stream, but realize that a spoke on the wagon’s right back wheel is broken! It must be repaired before they can proceed!

To be continued…

[Solo] The Magnificent Adventuring Circus, Session 2: Well- or Ill-met in Abazar?

Introduction and links to other sessions can be found here.

The cast of characters:

• Julia Maxima, the Bearded Lady (Dwarf Cleric 1). Stern leader and cook of the circus.
• Pointy Kid, the Knife Thrower (Halfling Thief 1). Sly acrobat with a pipeweed addiction.
• Callisto, Master of Illusions (Human Magic-User 1). Archmage of the Highest Order, Keeper of Forbidden Knowledge. Obviously, he has a creepy ventriloquist dummy.
• Sheila, the Odalisque (Elf Fighter/Magic-User 1). Exotic dancer and all-around cool girl. She won’t agree to be sawn into two halves.

Day 3 – continued [downtime in 3606, the settlement of Abazar]

On the third day of the journey, the Magnificent Adventuring Circus reaches the Abazar. They are received neutrally – the Abazarians natural grimness is mitigated somewhat by the presence of Julia Maxima (a Dwarf). The garishly painted circus wagon parks in the main square, next to “The Sleeping Ogre” tavern, and is converted into a makeshift stage by opening down one of the sides. Torches are lit when the evening comes, and a small group of 20 tired lumberjacks gathers around.

The Show

The show usually opens with the sword dance of Sheila, but the troupe decides that a semi-naked Elf lady swirling around with a sharp scimitar might aggravate an all-Dwarf audience… So Julia Maxima takes the stage first, with the stand-up comedy routine she practiced along the journey. At first the audience needs to time to adjust to Julia’s mountain dwarvish dialect, but gradually they warm up, and laugh wholeheartedly at the mining terminology puns and a couple of mandatory “elves smell!” jokes (Sheila allowed Julia a grand total of three). Next, Sheila puts on a “troll costume” (a dusty crocodile-skin and googly eyes) and prances around on stage. Then Pointy Kid bursts in, dressed as a knight. The two of them dance around a bit and put on a mock fight, as Julia Maxima narrates the events. On the one hand, the audience laughs at the Elf-Troll, but on the other hand, the troll is a very real danger around these parts. The lukewarm reception of this number makes Callisto very nervous, and he stutters while doing his Ventriloquism act. The audience boos and two out of three rotten tomatoes hit Callisto. Julia Maxima tries to save the situation by inserting a few jokes on the stuttering illusionist’s expense, but the evening is ruined.

The hat is passed around, and returns disappointingly light. Tough audience! But at least the troupe is treated to a free meal in the spirit of the approaching Harvest Festival.

The party retires into the wagon for the night. They would rather not carouse in this hostile town. Their plan is to reach a bigger, human-dominated town by the day of the Harvest Festival, and cash in on the festive mood of the populace… Julia Maxima goes out for a bit to mingle. She learns that there is a town called Tabriz on the river, about 30 miles southwest. Abazar sells lumber to them. This is where the Circus will head next.

Quick house rules: 

The circus is in town! List the numbers that the troupe puts on (3-4 will suffice). Describe them.

For every number, make an Audience Reaction roll.

Keep a running total of the numeric value of the rolls as well, and at the end of the show, that total x 50 is the base amount of copper coins gathered when the hat is passed around.

As a circus show is like a fight with the audience, experience points are gained as if the party has defeated every fifth member of the audience.

Roll	Reaction	Effect
2	Outright hostility	Make a Reaction roll at -2 to see if the audience attacks or just tells the troupe to get out of town. No money gained, obviously.
3-5	Dislike, heckling	-1 to next Reaction roll
6-8	Lukewarm reception	Nothing
9-11	Success, warm reception	+1 to next Reaction roll
12	Standing ovation	Number must be repeated, might override future performances. Double the amount of money earned.

 

1^st number: Julia Maxima’s Dwarven standup comedy [Reaction roll: 10]

2^nd number: mock fight between Pointy Kid and Sheila (dressed up as a troll) [Reaction roll: 7+1=8]

3^rd number: Callisto’s rope tricks and ventriloquism number [Reaction roll: 4]

2200 copper pieces

20/5=4, 100 experience points

[Solo] The Magnificent Adventuring Circus, Session 1: The Road to Abazar

Introduction and links to other sessions can be found here.

The cast of characters:

• Julia Maxima, the Bearded Lady (Dwarf Cleric 1). Stern leader and cook of the circus.
• Pointy Kid, the Knife Thrower (Halfling Thief 1). Sly acrobat with a pipeweed addiction.
• Callisto, Master of Illusions (Human Magic-User 1). Archmage of the Highest Order, Keeper of Forbidden Knowledge. Obviously, he has a creepy ventriloquist dummy.
• Sheila, the Odalisque (Elf Fighter/Magic-User 1). Exotic dancer and all-around cool girl. She won’t agree to be sawn into two halves.

Session 1: The Road to Abazar

The Magnificent Adventuring Circus sets out to chart a new route between Treble Cliff and the Dwarven hamlet called Abazar. Julia Maxima thinks that they might put on a show there and earn a couple of coins. She is preparing a special standup comedy act in Dwarvish.

Day 1 [travel from 3907 to 3806 (plains, grassland), weather favorable, no random encounter]

The trip starts out quite peacefully. The garishly painted circus wagon slowly rolls through the grasslands to the north-west of Treble Cliff. Large patches of purple orchids bloom here: Julia Maxima weaves a couple of flowers into her beard, while Callisto presents a floral wreath to Sheila.

+ [travel from 3806 to 3706 (mountain, grassland), weather worsening, no random encounter]

After lunch, however, the going gets harder. There is the occasional drizzle of rain. The terrain becomes steeper as the circus travels into the northern reaches of the mountainous area. Ominous, crudely carved totem poles dot the landscape. They seem to depict a stork-beaked evil deity – perhaps set up by the goblins of 3707?

As night falls, the party sets up camp. They warm by the fire, then retire to sleep in the wagon, with a single 2-hour watch for each of them. Luckily, no monster wanders by during the night. Julia Maxima prays to Yucla, “the small and grotesque god of laughter”.

Day 2 [travel from 3706 to 3606 (dense forest & swamp, river, the settlement of Abazar), weather worsening, no random encounter]

Dawn brings heavy rains. The circus wagon gets stuck in the mud, and it takes many hours, all the strength of Julia Maxima and all the slyness of Pointy Kid to get it moving. Callisto fakes indigestion so that he doesn’t have to help. Sheila stands on watch, but it looks like monsters hate this weather as well and remain in the lairs.

However, the party definitely doesn’t want to stay in this area too long, and a forced march is ordered to at least get down from the mountains. By nightfall they reach the edge of the dense forest, but they are too tired to go through it in the darkness and set up camp. The rain stops, and there are no nocturnal encounters.

Day 3 [travel inside 3606 (dense forest & swamp, river, the settlement of Abazar), weather favorable, random encounter: the Troll that lives in this hex (party non surprised, monster surprised)]

After an early breakfast, the circus rolls out – the ground is no longer muddy, but the trailless dense forest is a challenge to traverse for the circus wagon. There is the smell of decay and rot in the still air. Bamboo the draught horse neighs with disgust. Julia Maxima tries her best to find the way towards the river and Abazar. Pointy Kid is on lookout, and sits atop the wagon. From this vantage point, he manages to spot a large, putrid gray creature. The monster is busy feeding, hunched over the half-rotten carcass of a deer… and, luckily, doesn’t notice the wagon at first, and then doesn’t pay attention to them. The circus gets away this time!

Around 4 o’clock, they finally reach the hamlet of Abazar, and plan to put on a show in the evening… 

To be continued!

Notes:

[Hex 3606] Abazar, Dwarven hamlet, population 49. Sits on a river, dense forest on one side, swamp lands on the other side.

Industries, locations, shops: dock, boatwright, lumbercamp, butcher, tavern (“The Sleeping Ogre”)

Community of river dwarf woodcutters and raftsmen. Gruff, unfriendly folks, especially to non-dwarves.

Known dangers: a Troll lurks in the nearby swamp and forest.

[Solo] The Magnificent Adventuring Circus: Introduction

In 2021, I played a solo game, focused on the (mis)adventures of a travelling circus of adventurers. It was a part of a shared sandbox game, The Pit, where participants all played their own solo sessions, then updated the global hexmap with new features. It's a great setup, because you create your own stuff, but also crosscheck the existing map and you can visit stuff that other people generated. You can follow up on rumors that others posted. I don't participate any more, but the game is still going on, and you can join if you are interested! Here's the invite link (Discord server), it's a nice and welcoming community.

Like most people on the server, I relied on

• Basic Fantasy RPG as the ruleset,
• The Hexcrawl Adventures supplement by Luke Kennedy (CptClyde), a very solid framework for soloists and hexmap generation (and there is a tutorial/example of play on youtube),
• an assortment of random tables, like the Tome of Adventure Design,
• & the fate of the dice and my imagination!

I went into the game with no particular expectations. Just rolled up a party of four 1st-level characters, picked a starting point and a destination a bunch of hexes away, and travelled. New hex - check for weather - check for feature - check for encounter, rinse and repeat...

But here's the beauty of old-school play: from this baseline procedure, a cool story emerged! I played 10 sessions altogether, took notes, wrote reports, shared them with the others. It was a lot of fun! 

As I still have these reports, I thought I would share them here on my blog as well. So from now on I will be posting it in installments. 

This is the intro post and "table of contents".

The Troupe:

The Magnificent Adventuring Circus! Their shows are re-enactments of their daring adventures that totally happened. They ride around on a garishly painted stagecoach (still paying off the debt on that one…).

Julia Maxima, the Bearded Lady (Dwarf Cleric 1). Stern leader and cook of the circus.

Pointy Kid, the Knife Thrower (Halfling Thief 1). Sly acrobat with a pipeweed addiction.

Callisto, Master of Illusions (Human Magic-User 1). Archmage of the Highest Order, Keeper of Forbidden Knowledge. Obviously, he has a creepy ventriloquist dummy.

Sheila, the Odalisque (Elf Fighter/Magic-User 1). Exotic dancer and all-around cool girl. She won’t agree to be sawn into two halves.

...and their adventures:

1. Session 1: The Road to Abazar
2. Session 2: Well- or Ill-met in Abazar?
3. Session 3: Wheels & Waterfalls
4. Session 4: Carnies in the Mist
5. Session 5: The Wolfman's Turn
6. ...to be continued!

My phased combat sequence house rule

I LOVE PHASED COMBAT! Yes! Behold, my phased combat sequenced that I use in certain games. It's based on OD&D/Chainmail/Delving Deeper, but modified according to my experience of running phased combat in Mazes & Minotaurs.

COMBAT PROCEDURE

Each side rolls d6 for initiative, higher is better.

Each round, we go through the following steps:

1. Morale checks (for monsters & NPCs).

2. Declaration of intent, in reverse initiative order (so the faster side can react to the actions of the slower).

3. Action phases; all sides complete each phase in initiative order, Referee adjudicates sequence of actions as needed:

A) Missiles, Movement & Miscellaneous actions

• Stationary characters with ranged weapons at-the-ready can fire twice (or fire once and reload crossbow)
• Non-stationary characters with ranged weapons at-the-ready can fire once, with a -2 (elves ignore this penalty)
• Ducking in-and-out of cover counts as movement
• Firing into melee is allowed, attack rolls that miss their mark are checked against the nearest friendly participant of the melee
• Spell-casting starts in this phase; caster must remain stationary

B) Melee

• All in melee range (10’) can attack or be attacked; performance is determined with a single attack roll (against 1 (or less) HD enemies, fighters and monsters can opt to do multiple attacks [a number, equal to their HD])
• Sequence of attacks is determined by logic (e.g. longer weapons strike first on the first round, but last on subsequent rounds) or initiative
• Grappling/overbearing: each participant rolls their HD, higher wins; grappled character is immobile until held, or even knocked/choked unconscious (save against Paralysis applies)

C) Magic

• Spells begun in phase (A) go off
• If the caster took damage in the previous phases, they must save against Spells/Magic or the spell is interrupted and lost

 

Referee trying to adjudicate phased combat, by Francisco Goya

I'm too lazy to write up an example of play, but maaaybe in the future.

The Golem Master's Workshop - translated into Russian

I checked my blog stats and found out, through the referral links, that there is a Russian translation of my short adventure, The Golem Master's Workshop!

It is appended as an example to a translation of Tristyn's guidelines for 10-room/30-minute dungeon, my favorite lightning-fast dungeon creation method.

The translations: https://imaginaria.ru/toolsofthetrade/desyatikomnatnoe-podzemele.html

The Golem Master's Workshop, Russian PDF: https://imaginaria.ru/attachments/get/1342

My original adventure can be found here: https://eldritchfields.blogspot.com/2019/12/dungeon-30-minute-dungeon-golem-masters.html

Ehh I should *really* update that map...